[Collector Profile]
Inside Hélène Olivier’s home, founder of Make It Happen Paris
| INTERVIEW |
Hélène Olivier balances Haussmannian order with a controlled sense of whimsy, without a single discordant note. Just a few steps from the Arc de Triomphe, her apartment conveys a calm sense of proportion: restored mouldings, herringbone parquet, generous ceiling height. Yet everything plays out in the details.
At the centre of the dining room, a large cobalt-blue vase acts as a totem. A mobile depicting the solar system draws the eye upward. Classical busts observe the scene with discreet irony, while a painting by Debens disrupts the composition with intention. Nothing is showy; everything is considered.
Hélène and her children, Marnie and Marin, live in an interior designed to be inhabited as much as contemplated. Platner chairs converse with a Noguchi pendant; a turntable sits naturally among art objects; and the whole aligns with the books she collects more than she reads, she admits, not without regret.
As the founder of Make It Happen Paris, an agency specialising in event design for the fashion, design and lifestyle sectors, she has spent years approaching events as a form of staging: enhancing, welcoming, revealing. Her apartment is its intimate counterpart — a place where memories, curiosities and influences meet, shaped by a carefully honed eye for art and decoration.
Here, nothing is fixed. The décor shifts with the seasons, discoveries and guests, and remains open to stories still waiting to unfold.
GALERIE VERMEULEN
How has your eye for art developed over time? Were there experiences, works, or discoveries that shaped your taste?
HÉLÈNE OLIVIER
I remember a series of artistic “blows” that shaped the way I understood art and progressively refined what would become my taste. One in particular comes to mind: a contemporary dance performance by Jan Fabre, marked by an indescribable sensuality, which left a lasting impression on me and has stayed with me ever since.
Among the artists who have had a profound impact on me, Francis Bacon and Gérard Garouste hold a significant place; their powerful worlds played a key role in the way I learned to look at art.
While Italian Renaissance painters remain my earliest reference points, my eye took shape over the years at events such as Paris Photo or the Biennale Paris (formerly the Biennale des Antiquaires), where I encountered works and objects that were radically different from one another.
I’ve been browsing the flea markets for years — almost every weekend, in fact. I bought my first pieces for the very specific emotion they stirred in me. Colour often plays a decisive role.
“Three-dimensional works inhabit space differently. They introduce a distinct presence that gives the room its strength.”
GALERIE VERMEULEN
Are there artists or pieces that hold a particular place in your home?
HÉLÈNE OLIVIER
I tend to favour sculpture; three-dimensional pieces inhabit space differently. At home, I have several works by Gérald Schmite, which I buy whenever I have the chance. I’m also very drawn to antique busts. They’ve become a classic in interior design — everyone seems to have them now — but I’ve always had a genuine fascination for ancient Greece and its mythology.
I recently discovered Debens’s paintings, whose work stands apart from my usual reference points. His clear, assertive geometry disrupts my sense of balance in a way that feels energising. It pushes my eye to wake up.
More broadly, I stay open to every medium. I don’t set any limits.
GALERIE VERMEULEN
Over the years, has your approach to choosing a work evolved?
HÉLÈNE OLIVIER
A few years ago, I was drawn to impulse pieces without really considering how they worked together. Over time, that created a kind of cabinet-of-curiosities effect. Today, I think more about how art relates to the furniture, the flow of the space, and the volumes. But I still believe that a work chosen for the right reason — the emotion it triggers — always finds its place.
“I bought my first pieces for the very specific emotion they sparked in me. Colour often has a decisive role.”
GALERIE VERMEULEN
For interior design enthusiasts and new collectors, do you have any advice to give?
HÉLÈNE OLIVIER
Don't be afraid to mix eras and styles. Become passionate about one artist. Then two, then three. Discover their story, their influences, their education. You'll understand their work better. You'll be moved by it. It will be the beginning of a thread you won't let go of; like watch or classic car enthusiasts.
GALERIE VERMEULEN
What advice would you give to someone who is hesitant to buy their first contemporary artwork?
HÉLÈNE OLIVIER
Choose what you truly love, without following trends or an artist's market value (something many gallery owners I speak with lament among young buyers). Art should bring pleasure, art should touch us, move us, and stay with us.
No one would ever listen to music they don't like simply because its composer is famous. It's the same with the art that adorns the walls of our homes.
“I stand by the idea that a work chosen for the right reason, for the emotion it stirs, always finds where it belongs.”
GALERIE VERMEULEN
What are your favorite Parisian addresses for discovering or buying art?
HÉLÈNE OLIVIER
I started working with Galerie Vermeulen on art curation for my agency, Make It Happen. I needed impactful pieces, not just decorative ones. That's where I discovered Debens' paintings. Since then, I've regularly used the gallery, both for my professional projects and for my personal collection. I appreciate the diverse and accessible online selection, which has allowed me to collaborate remotely with my international clients on artwork selections, using the website, which quickly becomes quite addictive.
And then there are the flea markets, where you can find a bit of ceramics, some design (especially Serpette), and of course Paul-Bert and his antiques. You can unearth unique, rediscovered pieces there, each carrying its own history and coming to meet yours for a while. I recently found an Adonis wall sconce by Cazenave there, which is now hanging on my mantelpiece. And now I dream of finding Aphrodite to display them together on the wall.
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