Recognized as one of the first female street artists, Miss Van made her mark in the 1990s with a unique and sensual iconography, centered on the representation of the feminine.
Her work has been presented at MOCA (Los Angeles), CAC Málaga, MACRO (Rome), Von der Heydt Museum (Wuppertal) and in numerous international galleries such as Magda Danysz, Jonathan LeVine, Dorothy Circus or StolenSpace.
Between drawing, ink and painting, she develops a narrative universe where masks, hybridizations and looks thwart stereotypes, in an immediately recognizable work.

CHANOIR (born in Bogotá in 1976, lives and works in Paris) is a Franco-Colombian artist trained at the Beaux-Arts de Paris, whose singular graphic style emerged in the 2000s at the intersection of graffiti, Modest Art and pop culture. His feline characters, the CHA, have become emblematic of an immediately recognizable visual universe. Presented in major institutions and integrated into museum collections, his work is today a reference in contemporary street art, at the crossroads of the icon and the repeated image.

Born in Ireland in 1981, Emmet Kierans is a graduate of the Limerick School of Art and Design and the Glasgow School of Art (First Class Honours). His work is held in the collections of the Arts Council of Ireland, Trinity College Dublin, and the Office of Public Works (Ireland), as well as numerous private collections in the UK, Europe, and the USA.

He has exhibited at the Royal Academy of Arts (London), the National Gallery of Ireland, the Royal Hibernian Academy (Dublin), and the London Art Fair. His recent solo exhibitions have confirmed a dreamlike figurative practice informed by cinema, memory, and the collective imagination.

Trained in Fine Arts, Gérald Schmite subverts classical iconography through contemporary Baroque earthenware. His ceramics combine heterogeneous aesthetics, where Hermès rubs shoulders with Louis XVI in a singular collision. Deep blues, acid greens, and dizzying reds lend an insolent luster to his timeless pieces. Each creation depicts a world that exaggerates and overflows, where beauty meets strangeness and mischievousness. His works are part of private collections that are sensitive to this bold reinterpretation of historical codes.

Gustavo Vejarano (born in Houston in 1952) is a French-Colombian artist whose work explores the relationships between matter, space, and consciousness. Through painting, sculpture, and drawing, he constructs visual cycles that reflect an inner quest as much as a careful look at the world. His works have been presented in numerous international institutions—such as the Musée d'Art Moderne de Paris—and are included in the collections of the Musée d'Art Moderne and the Musée d'Art Contemporain de Bogotá, the Colombian Ministry of Foreign Affairs, the Presidency of the Republic of Colombia, as well as in several foundations and private collections in Europe and Latin America.

Liliane Phung, born in 1977, is a Franco-Vietnamese artist who graduated from the Beaux-Arts de Paris. Spotted in 2005 by the Fondation Cartier, which acquired several of her paintings, she developed a refined figurative style, at the intersection of intimate memory, popular culture, and a coded history of images. Her work is now featured in important private and institutional collections and regularly exhibited in France and internationally, in curatorial projects devoted to new voices in contemporary figuration.

Debens (Hugo Garcia Debens), born in Barcelona in 1980, lives and works in Paris. Trained at the Beaux-Arts in Barcelona, ​​he has been developing a demanding geometric abstraction for over two decades, informed by the legacies of Constructivism, Op Art, and graphic design. His work has been featured in numerous exhibitions in France and internationally—including Paris, Barcelona, ​​San Francisco, and London—and attracts collectors, architects, and interior designers alike for the visual strength and precision of his compositions.

Chi Phan (born in Paris in 1973) is a French-Vietnamese artist whose earthenware work explores organic forms and ambiguous figures. Through wall sculpture, he develops a sensitive and instinctive practice, marked by hand modeling and a particular attention to the material. His works have been exhibited in France and Thailand, and attract the attention of collectors sensitive to the porosities between art, body, and object.